Internship work: Opal Baines
Opal helped with ink and paint on shot 12, and took a pretty challenging task of animating three characters in a slightly complicated perspective for Shot 3. Here you see the rough, with the charts and my keys / breakdowns and her first round of inbetweens, and then one of her cleaner passes (not the final one). I prefer looking at the roughs myself, but I’m a luddite like that. With only a little bit of notes she was able to control all of these elements. She later did the ink and paint on this shot as well. Check out Opal’s tumblr here! Thanks Ms. Baines!
HIPPOSTEROUS IS THE SHIT, YA’LL. Opal is great too.
I was in tears here
I loved that the vehicon still transformed into the car anyway
It’s most unfortunate because that model wasn’t equipped with….
This is the pencil test for Shot 31, inbetweened and later colored by Ashley Marie Cameron. She did a really good job holding Lovely’s likeness and following my charts and directions.
HEY PEOPLE! SUPPORT MY THESIS FILM AND MY WONDERFUL BFA INTERNS! FOLLOW, SHARE, REBLOG AND …. UHMN… follow, share, reblog….OH, AND TELL YOUR FOLLOWERS TO DO THE SAME! (also on twitter and facebook and stuff)
Jon tells Emma Stone he used to wear turtlenecks. http://on.cc.com/1jYUpaG
This is my face whenever someone says they can pull off a fedora
I’ll be happy when this kind of joke dies out. And I don’t blame Kate, I blame other ciswhite male asshats. It sucks that my interest and hobby in interesting headware has become some kind of synonymous symbol of patriarchy. I can deal with it, I mean, I have to deal with so little anyway, I would just rather not be mistaken for standing for something I’m not.
The fact that the ALA shared this link is so gloriously bitter and angry and I love it.
Is there a portmanteau for that? Angritter? Bangry?
Amazon: “Pay what you could have for free if you bother to go outside once in a while!”
I’ve said this before, but when a single company controls so much about production, distribution, pricing and shipping and it isn’t challenged as a monopoly, then the protections of creative freedom have eroded to the point of little or no legal or political recourse.
But hey, we can also play angry birds on the Kindle Fire!
No more finished scenes true believers, this is a sneak at a scene that I am really proud of. Animation by John Hill, but clean up by Opal Baines, Ashley Cameron, and Emily Brown. They will also be handling the color pass.
Last one tonight, promise! Reblog, like, follow, encourage others! Thanks!
This summer break / accelerated semester is being spent churning out all the remaining layouts so I can focus on animation and audio in hopes of hitting my primary deadline. The layouts cover a lot of the beginning, third, and final quarters of the film. There will be a number more color cards and simple two color backgrounds, but these are the complicated layouts. ONLY FOUR LEFT! But some of them are going to be quite a bit more difficult.
Here comes the spam again, please like, follow, reblog and encourage following.
Shot 23 as the Hippo swallows and reacts to the pepper that will eventually give him his explosive propulsion. Pass it around to your friends!
Gonna spam a bit of my thesis work. Please share, please follow, please encourage more following. Thanks!
My finished shot for Team Production class.
Animation I did. Rebloging because I want it easily seen.
When a student does some good work, even when it’s not in my class, I do get a little bit of a thrill. This is a short shot, but Ashley has a great tumblr and is a great character designer and artist. Check her out.
G-Fest XXI highlight: Meeting Katsuhiko Sasaki was fun, though Son didn’t remember Terror of MechaGodzilla very well. He did howeve remember his role in Godzilla vs Megalon and was excited to meet the guy who created Jet Jaguar.
Love the thumbs up.